April 30th: Palinode

Escapril prompt #30:  "Do you hear that?” Angelea Lowes'   prompt  #30:  "I saw your ghost on a train downtown.” Napowrimo :  Well, we knew it would come to this, what with the inexorable march of time and all. Today is the final day of Na/GloPoWriMo. Thank you all for joining the challenge during this, its twentieth year! We’ll be back tomorrow with our final featured participant and some housekeeping information, as we prepare to go back into our long sleep (like   Robert Frost’s woodchuck ) until next spring. But for now, here’s our daily featured participant is  Farah Lawal Harris , who responded to Day 29’s food-based prompt with a paean to Nigerian cooking. Our final daily resource is a pair of podcasts:  Wacky Poem Life , sponsored by the Rural Oklahoma Museum of Poetry (yes, there is a Rural Oklahoma Museum of Poetry!), and  Haiku Chronicles , a podcast focused on haiku and related poetic forms. And now for our last prompt of the year...

April 1st: Poets, Start Your Engines

April 1 is finally here, and with it comes Na/GloPoWriMo. Huzzah!

Our first featured participant is Flipped Serendipity, where the “fun fact” early-bird poem draws attention to something many of us experience when starting a challenge like NaPoWriMo — even if you feel very enthusiastic about the project, it can be hard to push yourself out of your rut and really get writing. But the first step to shaking the rust off your verse is to get something down on the page. And having done these thirty-day-challenges many times, I can say that it does get easier as you go.

Speaking of featured participants, one of the ways we find them is through the comments on each day’s post. Don’t know where to find those? Just click on the title to the day’s post, and it will take you to a new page featuring just that post, and a comment section. Many folks paste links to their daily efforts there, or if they don’t have websites, copy out the poems themselves. The conversation between participants in the comment section is really supportive, and we’re particularly grateful for our “super-commenters,” including PaulaGloriaElizabeth, and Romana, who make the effort to engage with other writers, and to cheerlead their work. We couldn’t do this without yu!

Our poetry resource for the day is What Sparks Poetry, a regular feature of Poetry Daily. In each article in the series, a different poet discusses the craft of writing, and provides a prompt.

And here’s our own prompt (optional, as always) for the first day of Na/GloPoWriMo. 
They say you can’t judge a book by its cover, but they never said you can’t try to write a poem based on a book cover — and that’s your challenge for today! Take a look through Public Domain Review’s article on “The Art of Book Covers.” Some of the featured covers are beautiful. Some are distressing. Some are just plain weird (I’m looking at you, “Mr Sweet Potatoes”). With any luck, one or more of these will catch your fancy, and open your mind to some poetic insights.

Happy writing!


Escapril prompt: "Vision of the Future."

The early bird Napowrimo prompt from 3/31: Today, we’d like to challenge you to write a poem that plays with the idea of a “fun fact.” Your fact could actually be fun – or the whole point could be that it’s not fun. Maybe you have a favorite wacky fact already, but if not, Mental Floss’s “Amazing Fact Generator” is here to help!

Comments

  1. Okay I'm cheating here because I want to see how this platform works and I also plan to spend the entire day on my taxes so that I can get them done and play more fully in the weeks ahead. This is a piece I wrote using the *spines* of books.

    YOUR BLACK HISTORY MONTH READING LIST IN CENTO

    JUST US, we say, PUNCHING THE AIR
    HOW WE FIGHT FOR OUR LIVES, taste
    THE WARMTH OF OTHER SUNS, and yet,
    we have THE BLOOD OF EMMETT TILL
    on our hands; WHITE FRAGILITY runs deep.
    BETWEEN THE WORLD AND ME? There are no
    DREAMS FROM MY FATHER. WHEN THEY CALL YOU
    A TERRORIST you are BORN A CRIME. CASTE. It began
    with THE UNDERGROUND RAILROAD. You were never
    A CITIZEN. PLEASE, at least try to learn HOW TO BE
    AN ANTIRACIST. Recognize THE HATE YOU GIVE,
    Imagine what it means to conjure BLACK GIRL MAGIC.

    Signed,
    THE SOBBING SCHOOL

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    Replies
    1. Oh! Love how it's a book list and poem in one. Made me think of a pneumonic device for remembering lists... string them all together and make a story out of them.

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    2. Only your "cheating" could be this good. I love it!

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    3. I remember this when you shared it before, and it still has the same impact. Also, I love Ta Na-Heisi Coates! Such a fan of his work, his voice, and his writing.

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    4. Guh! It still hits hard. Especially the signatory. Phew. Also, you have reminded me that I really need to start paying attention to my taxes, so thank you! (which I say earnestly, while cringing)

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    5. I love this one! Have the prompt saved to try on a rainy day - maybe I'll tackle my TBR pile...

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    6. Such a powerful piece! I agree with Amanda - the signature is heartbreaking.

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  2. Is this the correct place to post @Amanda? For some reason I can't respond to the other thread. It's asking me to sign in with Google, which I did successfully a few minutes ago. Maybe it's because I updated my email address. Will see if I can turn it back. ;-)

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  3. MY GARDEN IN SPRING

    is overrun with weeds. We haven’t mowed in seven months and
    the grass is up to my nipples.
    My nine-year-old notices and one day says “How cool!”
    as she runs outside to hide in the waving spindrels.

    The pink sphynx moth notices and visits me
    nightly, as if to say, “How cool!” Her presence permission
    not to care about what the neighbors think when they look over the fence
    and see my soft body/shape/imprint laying in the grass but to remember

    all the reasons I plant myself in the soil. To fertilize
    this garden blooming with varieties that don’t thrive
    in the prairies and plateaus of central texas.
    Night blooming jasmine and phlox, tuberose and cereus. These bloom

    under my closed eyes and who has time to mow when tending to this?
    Who has time to mow when spring opens me?
    Who has time to mow when the pollinators are out
    gathering nectar from deep within my pink body?

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    Replies
    1. I love this piece, Catherine! From the slant rhyme in nipples/spindrels and pink/sphynx to the beautiful anaphora in Who has time? Lovely.

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    2. This is such a gorgeous piece. I love - Who has time to mow when spring opens me?

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    3. Love 'gathering nectar from deep within my pink body' so much, Catherine. Also, I love Sue Ann's observation about the sound play between 'spindrels and nipples'. It has a buzzing, heightened quality, which brings the pollinators to life in the poem.

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    4. "to remember all the reasons I plant myself in the soil" <3 <3 <3 Also love the "when spring opens me" line and also noticing the internal rhymes of mow/opens and deep/pink.

      I also have to commend you on how thoroughly this transported me without activating the very deep allergy memories I associate with being home in central Texas!

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    5. "all the reasons I plant myself in the soil" YES. I was out digging, REALLY digging, in the garden today for the first time this year & this is exactly the feeling.

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    6. I love "her presence permission/ not to care what the neighbors think" The beauty of this whole piece is wonderful!

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  4. Thank you for creating this space, Amanda! I hope it will keep me accountable to one poem per day (messy or not).
    My first poem was from the @letsescapril prompt: Vision of the Future

    The Future

    Your eyes sparkle
    as I tell you the legend of The Great Salt Lake
    And we walk side by side in the dust
    until oxygen runs low
    The storms are quiet today
    and it feels like a memory of being still
    Underground, I open our packets of feast
    Uncork a wine from the time before
    grapes shriveled on their vines
    Our liquid tree glows algae-green
    And I imagine the sun through a canopy of leaves
    For you I light a beeswax candle,
    now more precious than gold
    (the bees were the first to go)
    I kiss you softly on the dimple of your cheek,
    weave my fingers into your waiting hand
    Together in silence we stare at the ocean
    A faded poster that says
    Wish You Were Here

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    Replies
    1. (the bees were the first to go) —the whole piece, so powerful.

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    2. 'Our liquid tree glows algae-green' is such a powerful image...like absinthe in a small glass, or a vial of some mysterious liquid...love it!

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    3. Gosh, Marisa, I got so caught up in the beautiful language and sounds that it wasn't until my second read that I caught how dystopian this is! It's completely gorgeous and you've created a full soundscape of internal rhymes and assonance/consonance. "tree glows algae green" with the G and E sounds. "than gold"/"to go." and so many more. The idea of walking in the dust "until oxygen runs low" really hit me, as did staring at the ocean in a poster saying "wish you were here." There is such a sense of nostalgia that overwhelms the landscape being presented and makes it seem more ephemeral than the past.

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    4. I agree with Amanda, this is deceptively beautiful & incredibly haunting. I loved "packets of feast" for this same contradiction: how can a feast be contained in a packet? So powerful.

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    5. Echoing what everyone has said - you've created such a beautiful landscape, but the dark side of it creates an ache. Powerful last line!

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  5. I was reading a NYT about the latest DNA evidence done on Beethoven's hair and came up with this. It's hot off the presses and may need to cool its heels before I fiddle with form/line breaks. So excited to kick off April with poem-palooza!!

    DNA

    The locket your great-great
    grandmother kept close
    to her heart did not,
    in fact, hold
    Beethoven's hair. Everyone
    in your family raised
    on this myth, warming
    their hands
    by the lamp-
    light of its promise. Relief
    is all you feel. Proof now
    that your love affair
    with the piano was
    all a ruse.

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    Replies
    1. Ha!!! That ending! So unexpected and delightful.

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    2. The ending! Adore. & for what it's worth - I think you've got great line breaks here already

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    3. I really love this and the ending is perfection. I agree with Kristina that the line breaks are already so good.

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    4. My goodness! I love this piece. The ending is so good and unexpected, but feels absolutely honest. Relief from the weight of family myth. Love!!

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  6. Wish I could share the book cover the title was taken from--alas!

    "How to Swim"

    Before you can learn to swim,
    you must first learn to float
    which is to say
    you must let the oxygen
    seep out of your fear, close your eyes,
    and feel the water become
    a vessel that contains you, let go
    of tension and fight until you are
    body, buoy, a floating thing
    accepting water’s authority.

    The one thing that makes swimming
    hard is that we must be horizontal
    to do it, and though backstroke
    is perfectly fine, it’s hard to get very far
    with your eyes on the sky.

    We are mostly water. Still,
    we cannot breathe it
    and so must take care not
    to gasp, inhale, take in the
    part of the molecule
    that can drown us.

    If we can learn the pacing
    and trick of cooperating lungs,
    then nothing is more peaceful.
    Like swimming in mother’s womb,
    bathwater, a gentle rocking
    sensation that takes over our limbs
    until we are just another being
    in the vast expanse of ocean.
    See? There in the waves –
    barely a ripple.

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    1. "it’s hard to get very far
      with your eyes on the sky."

      Love that and the ending ... There in the waves –
      barely a ripple. BEAUTIFUL.

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    2. "let go
      of tension and fight until you are
      body, buoy, a floating thing
      accepting water’s authority."

      Gorgeous, Amanda. I love how the poem feels like being surrounded by deep water. I flashed on my own body, deep in the river on a summer day, pulled by the current.

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    3. Loved "body, buoy, a floating thing" & "We are mostly water. Still/ we cannot breathe it" (amazing line break!) It even LOOKS a little like waves on the page!

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    4. Beautiful! Love the line "its hard to get far/ with your eyes on the sky." The language of the whole piece feels so gentle, guiding the reader to the acceptance of the final stanza.

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    5. Thank you so much, friends, for your kind words. <3

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    6. There are so many beatiful moments in this piece. I LOVE "let the oxygen
      seep out of your fear" and "accepting water’s authority."

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  7. Using the early bird "fun fact" prompt:

    Called “sparrow grass” by a careless ear,
    its flowers are sometimes hermaphroditic
    which means they can be both a mother
    & a son. All asparagus wants to do is be
    alive (twenty years; more) & yet
    mother & son disagree on how.
    Send them up on a root, the son says;
    the mother: afar on a seed.

    The gardener considers her crop, perplexed.
    It seemed like the right place to grow a life,
    at the time. She chose it carefully, the way
    women are told to do all things. But now -

    Everything she reads tells her that transplanting
    will be difficult. Possible,
    but hardly recommended.

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    Replies
    1. Delightful read, @Kristina! THIS: "She chose it carefully, the way
      women are told to do all things." ;-)

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    2. Damn. As always, complex and layered, Kristina. Henceforth, asparagus will be called 'sparrow grass' when I see it at the market. Also, it's just about aspargus season here, one of my favorite perks of spring. I gorge myself on the tender spires!

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    3. Oof! That ending is a gut punch. It is a great use of that very open, rather than buttoned-up ending.

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    4. @Kristina "It seemed like the right place to grow a life, / at the time." Man that line really got me. I also love the play happening here between mother and son especially because the son wants to be rooted and the mother wants to go far afield: such an unexpected but rich exploration and anthropomorphism. This granting of humanity to the asparagus also deepens the difficulty the gardener is having in deciding whether to uproot them. The gardener as mother. <3

      This reminds me of something I read just the other day by Elissa Altman I think about how almost twenty years have passed since they moved into their house and they still haven't planted asparagus because it would take years to become established and produce (which is also why I haven't done the same).

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    5. Oh Kristina, this took my breath away. So many layers here and I love "sparrow grass."

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  8. A very short piece (haikuish) for the first day. I chose to use the "book title" prompt.

    The Heroine's Journey

    Sometimes nothing more
    than the path from table
    to crib, hands emptied, heart full

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    1. I have a soft spot for anything haikuish and this one creates such an impact in the smallest space.

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  9. I couldn't load the whole prompt while traveling, so I thought it was a "fun fact", when in fact that was not the prompt. Oh, well. Wrote against it anyways.

    Athazagoraphobia


    Is the fear of being forgotten. Left behind, left alone, left for dead. Lost in the shuffle, lost to time, lost to follow-up. Once, when my parents were shopping for appliances at Sears, I climbed into the drum of a clothes dryer because I liked the quiet, shiny, dark. For a long time, I listened to husbands and wives arguing about refrigerators and dishwashers. I could not escape the fighting even in my cocoon. Once I realized no one was coming for me, I was more relieved than scared; I fell asleep. I heard my name being called, but I could not answer. I did like my dad taught me and started singing the National Anthem. As I was lifted out, I realized being forgotten was second nature to me. My biggest fear was being found.

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    Replies
    1. Ooof, I really feel this one. Your final line is so powerful.

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    2. WOW, Nicole. This is stunning! "quiet, shiny dark", the turn in the final line. Gosh, I hope you keep going with this one.

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